CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<170> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga, Cadence Expand

Fuga, Cadence

Voices:
I.Tenor
[II.Tenor]
[Contratenor]
I.Tenor
[Bassus]
[Bassus]
[Superius]
[Bassus]
[Contratenor]
I.Tenor

Melodic interval of entry: 1+5+5-4-5-8+

Time interval of entry: S2/3/1/1/5/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: plagal

Tone: D

Dovetail voice: [Superius]

Remarks: End of the Christe.

<178> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga, Cadence Expand

Fuga, Cadence

Voices:
I.Tenor
[Contratenor]
[Superius]
[II.Tenor]
Bassus]

Melodic interval of entry: 5+1+5-8-

Time interval of entry: M4/8/4/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]

<176> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Superius]
[Bassus]

Melodic interval of entry: 5-1+5-5+5+8-

Time interval of entry: M5/4/3/5/4/10

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<174> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Superius]
[Bassus]

Melodic interval of entry: 5-1+5-5+5+8-

Time interval of entry: M5/4/3/5/4/10

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<172> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Contratenor]
[II.Tenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-8+8-4-4+1+

Time interval of entry: M4/11/2/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<168> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Bassus]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Bassus]
I.Tenor

Melodic interval of entry: 4-5-4-4+5+8-12+8-5-4+4-4+

Time interval of entry: S3/3/3/4/2/2/2/5/3/3/3/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The fuga contains two PENs (at the start and end)

<166> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Imitative duo Expand

Imitative duo

Voices:
I.Tenor
[Bassus]
[Superius]
[Contratenor]

Melodic interval of entry: 5-5+5-

Time interval of entry: S3/8/3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: There is an added entry in Tenor II in m.26

<160> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Dovetail voice: [Superius]

<158> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Bassus]
I.Tenor

Melodic interval of entry: 4-5-4-4+5+8-5+8-5-4+5+8-4+

Time interval of entry: M6/6/6/9/2/4/4/10/5/7/2/4/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Dovetail voice: [Superius]

Remarks: The fuga is based on an ID I have already asserted in another comment. It is hard to find any other structural element in this fuga, as it is quite free. The first kyrie is based on only one element, leading to the CAD.

<100> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Imitative duo Expand

Imitative duo

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]

Melodic interval of entry: 4-5-4-

Time interval of entry: S3/3/3

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

<586> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Contratenor]
[Superius]
I.Tenor
[II.Tenor]
[Bassus]
I.Tenor
[II.Tenor]

Melodic interval of entry: 5+4+5-1+8-9+5-

Time interval of entry: S1/3/9/2/3/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<570> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Imitative duo Expand

Imitative duo

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/14/3

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Added entry at Secondus Tenor.

<600> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga, Cadence Expand

Fuga, Cadence

Voices:
I.Tenor
[Bassus]
[Superius]
[Contratenor]
[II.Tenor]
I.Tenor
[Bassus]
I.Tenor
[II.Tenor]

Melodic interval of entry: 5-5+5-5-1+8-8+1+

Time interval of entry: S2/1/1/2/2/2/2/2

Periodic: False

Strict: False

Flexed: True

Sequential: True

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]

<598> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Cadence Expand

Cadence

Cantizans: [Contratenor]

Tenorizans: [Bassus]

Type: authentic

Tone: A

Dovetail voice: [Superius]

<594> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 9-4-8+4-

Time interval of entry: S2/1/3/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<590> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[II.Tenor]
[Bassus]
[II.Tenor]

Melodic interval of entry: 1+1+

Time interval of entry: S4/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<578> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Superius]
[Bassus]
I.Tenor
[Contratenor]
I.Tenor

Melodic interval of entry: 5+5-5+4+4-

Time interval of entry: S1/2/1/6/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: One entry anticipates the modules at Superius. Added entry at Secondus Tenor.

<574> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
[Bassus]
[II.Tenor]
I.Tenor

Melodic interval of entry: 5-8-4+5+

Time interval of entry: S1/2/1/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<572> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Counter-soggetto, Imitative duo Expand

Counter-soggetto, Imitative duo

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Contratenor]
[Superius]

Melodic interval of entry: 5+

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<366> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria None -

Observation

<364> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<362> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[II.Tenor]
[Contratenor]

Melodic interval of entry: 5+

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<360> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Superius]
I.Tenor
[II.Tenor]

Melodic interval of entry: 8+5-4-

Time interval of entry: S2/1/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<358> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria None -

Observation

<356> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
I.Tenor
[Bassus]
[Superius]
[II.Tenor]

Melodic interval of entry: 4-8+4-

Time interval of entry: S1/3/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: I consider the Contratenor II as added entry, I prefer to take account of the entries that are 'copied'.

<354> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
I.Tenor
[Bassus]
[Superius]
[II.Tenor]

Melodic interval of entry: 4-5+9-

Time interval of entry: S1/1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: I only take note of the four-voices Module copied from the model. I consider the first occurence of the Bassus as an added entry.

<352> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
I.Tenor
[II.Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 4+4-5+4+

Time interval of entry: M1/3/2/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Three periodic entries on D at Bassus, Tenor II, and Superius.

<350> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Counter-soggetto, Fuga Expand

Counter-soggetto, Fuga

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 4-4+5+4+

Time interval of entry: M6/21/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<346> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
[Bassus]
[Contratenor]
I.Tenor
[II.Tenor]
[Superius]
[Bassus]
[Contratenor]
[II.Tenor]

Melodic interval of entry: 5-8+4+1+8+8-8+8-

Time interval of entry: B1/1/1/1/1/1/1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]

<252> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [II.Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<190> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo Expand

Imitative duo

Voices:
I.Tenor
[Contratenor]
[Superius]
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 8+4-8-4+4-

Time interval of entry: S2/1/2/11/3

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

Remarks: The first voice of the second duo comes before the second voice of the first duo. The intervals are indicated after the order of apparition of the voices.

<348> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo None -

Observation

<344> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
I.Tenor
[II.Tenor]
[Contratenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]

Melodic interval of entry: 1+5+5+5-4-3+

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Superius]
[Bassus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<342> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo Expand

Imitative duo

Voices:
I.Tenor
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S3

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The 'second part'of the soggetto is repeated several times, giving an echo to the Fg.

<340> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Bassus]
[II.Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 4+5+4+

Time interval of entry: S1/4/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [Superius]

Tenorizans: [Superius]

Type: authentic

Tone: G

Dovetail voice: [Superius]

Remarks: The ID are anticipated by a little Fg. The CAD is inverted (I note the second CAD, but the first Duo also comes to a CAD in G).

<336> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[II.Tenor]
I.Tenor
[II.Tenor]
[Superius]
I.Tenor

Melodic interval of entry: 5+1+8+9-

Time interval of entry: S2/1/1/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[II.Tenor]

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: True

Chained 8 and 3: False

Chained 6 and 5: False

<332> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
I.Tenor
[Contratenor]
[Superius]
[Bassus]
[Contratenor]

Melodic interval of entry: 5+4+8-8+

Time interval of entry: B1/1/1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: I did not include the Tenor II in order to keep a periodic Fg.

<328> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
[Superius]
[Contratenor]
[II.Tenor]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Voices:
[II.Tenor]
[Contratenor]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Also // 6th between TenorII and Superius. The soggetto is at Superius.

<268> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[II.Tenor]
[Bassus]

Melodic interval of entry: 5+

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [II.Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<266> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Superius]
I.Tenor
[Contratenor]
[Bassus]

Melodic interval of entry: 8-3+8-

Time interval of entry: S1/1/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Bassus]

Dovetail interval: 1+

<264> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Homorhythm Expand

Homorhythm

Voices:
[Contratenor]
I.Tenor
[II.Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: The 'second soggetto'is the basis of an HR on 'et mortuos'.

<262> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Homorhythm, Cadence Expand

Fuga, Homorhythm, Cadence

Voices:
I.Tenor
[II.Tenor]
[Superius]

Melodic interval of entry: 2+2-

Time interval of entry: M11/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Superius]
[Contratenor]
I.Tenor
[II.Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: D

Dovetail voice: [Superius]

Remarks: The HR is based on the 'main soggetto', and developed in a little fuga.

<260> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Superius]
[II.Tenor]

Melodic interval of entry: 5-

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<258> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Bassus]
[II.Tenor]
[Superius]
[Bassus]
[Superius]

Melodic interval of entry: 4+5+8-8+

Time interval of entry: M7/4/7/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Dovetail voice: [Superius]

<256> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo Expand

Imitative duo

Voices:
[Bassus]
[II.Tenor]

Melodic interval of entry: 1+

Time interval of entry: M9

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: A soggetto that we find back several pagesbefore. It is reused on 'et resurexit'. It is probably far-fetched, but we can consider that Sohier makes a figuralism by 'resuscitating'an old soggetto...

<254> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Bassus]
[II.Tenor]
[Superius]
[II.Tenor]

Melodic interval of entry: 1+8+8-

Time interval of entry: S2/5/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [II.Tenor]

Tenorizans: [Superius]

Type: authentic

Tone: D

Dovetail voice: [Superius]

Remarks: The cadence is inverted.

<250> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
[Bassus]
[II.Tenor]
I.Tenor
[II.Tenor]
I.Tenor

Melodic interval of entry: 8-4+4-2-1+

Time interval of entry: S5/1/5/4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]

<248> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[Bassus]
I.Tenor
[Superius]
[II.Tenor]
[Bassus]
[Superius]
[II.Tenor]
I.Tenor
[Contratenor]
[Bassus]

Melodic interval of entry: 4+5+8-8-5+8-1+4+4-

Time interval of entry: M6/8/6/11/5/5/4/4/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The first entries are melodically reduced. The opening 5th/4th jump is replaced by a fall of 4th/5th that directly leads to the original third note of the soggetto.

<246> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[II.Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<244> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: A ridiculous little imitation, vanished as soon as it is proposed...

<242> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Periodic entry, Imitative duo Expand

Periodic entry, Imitative duo

Voices:
[Bassus]
[II.Tenor]
[Contratenor]

Melodic interval of entry: 8+1+

Time interval of entry: S1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Voices:
[Bassus]
I.Tenor
[Contratenor]
[Superius]

Melodic interval of entry: 5+4+5+

Time interval of entry: S1/3/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The PEN (and its added entries) is rythmically anticipated with 'Et in unum Dominum'. The added entries also build an ID, at the same location.

<200> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Non-imitative duo, Cadence Expand

Non-imitative duo, Cadence

Voices:
[Superius]
[II.Tenor]
[Contratenor]
[Bassus]

Melodic interval of entry: 8-4+8-

Time interval of entry: M1/7/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: D

Dovetail voice: [Contratenor]

Dovetail interval: 4+

Remarks: A NIM forming overlapping cadences.the cadence I indicate is the first one.

<198> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Soggetto, Counter-soggetto, Fuga Expand

Soggetto, Counter-soggetto, Fuga

Voice:
I.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
I.Tenor
[Contratenor]
[Superius]
[Bassus]
[II.Tenor]

Melodic interval of entry: 5+4+8-4+

Time interval of entry: S1/1/1/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The counter-soggetto is used to make a figuralism on 'descendit de'. It is anticipated at the bassus on 'Qui proper nos". As this diatonic descent is also the end of soggetto, it can be considered as anticipated by the soggetto ('Qui propter nos homines, et proper nostram').

<196> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Form and process Expand

Form and process

Internal repetition: True

Comment: The Contra and the Bassus repeat the same counterpoint.

Remarks: I do not indicate an ID for the duos are twice the same voices.

<194> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Form and process Expand

Form and process

Internal repetition: True

Comment: The Contra and the Bassus repeat the same counterpoint.

Remarks: I do not indicate an ID for the duos are twice the same voices.

<192> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[II.Tenor]
[Superius]
[Contratenor]
[Bassus]
I.Tenor
[II.Tenor]
[Contratenor]
[Bassus]

Melodic interval of entry: 8+4-8-4+1+5+8-

Time interval of entry: S2/1/2/5/6/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<768> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus Imitative duo Expand

Imitative duo

Voices:
[Bassus]
I.Tenor
[Contratenor]
[Superius]
[Bassus]
I.Tenor
[Contratenor]
[II.Tenor]

Melodic interval of entry: 4+5+4+4-4+5+5-

Time interval of entry: S1/3/1/6/1/9/1

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

Remarks: One added entry mes. 10 at Superius.

<786> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus Fuga Expand

Fuga

Voices:
[Contratenor]
[II.Tenor]
[Superius]
[Bassus]

Melodic interval of entry: 8-8+8-

Time interval of entry: M4/8/23

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<784> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Bassus]
I.Tenor
[Contratenor]
[II.Tenor]
[Superius]
[II.Tenor]
[Bassus]
[Superius]

Melodic interval of entry: 4+5+5-8+4-5-8+

Time interval of entry: S3/1/4/2/5/3/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

<780> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus None -

Observation

<776> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus None -

Observation

<774> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Remarks: Concludes a part.

<772> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus Non-imitative duo Expand

Non-imitative duo

Voices:
[Bassus]
[II.Tenor]
[Contratenor]
I.Tenor
[II.Tenor]
[Superius]

Melodic interval of entry: 1+8+8-8+1+

Time interval of entry: M1/7/1/7/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: True

Invertible: False

Remarks: I consider the entry at TenorII of the third module as starting one minime before.Added entries: Bassus mes. 20; TenorI mes. 21; Tenor II mes. 22 (to the CAD).

<770> Max Le Mée [CRIM_Mass_0002_4] Missa Vidi speciosam: Sanctus None -

Observation

<1156> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
[II.Tenor]
[Bassus]
[Superius]
[Contratenor]

Melodic interval of entry: 5-5+5-

Time interval of entry: S3/10/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: The soggetti of the first duo contain an anticipation of the counter subject. Added voices at Quintus and Tenor II.

<852> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga, Cadence Expand

Fuga, Cadence

Voices:
[II.Tenor]
[Contratenor]
[Bassus]
I.Tenor
[Superius]
[II.Tenor]
[Bassus]

Melodic interval of entry: 5+8-4+5+8-8-

Time interval of entry: M6/4/5/3/4/10

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

<1160> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Bassus]
[Quintus]
I.Tenor
[II.Tenor]
[Contratenor]
I.Tenor
[Superius]
[Bassus]
[II.Tenor]
I.Tenor
[II.Tenor]

Melodic interval of entry: 5+5-5+4+5-5+5-5+1+4+

Time interval of entry: M2/6/2/6/2/2/4/3/6/5

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Contratenor]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Remarks: The alternance of 2 and 6 minimes gives kind of a periodicity to the Fuga.

<1158> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[II.Tenor]
[Quintus]
[Superius]
[Bassus]
I.Tenor
[Contratenor]
[II.Tenor]
[Bassus]
I.Tenor

Melodic interval of entry: 4+5-5-5+4+4-5-8+

Time interval of entry: M6/2/8/2/6/3/6/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Bassus]
[II.Tenor]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<850> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
I.Tenor
[Bassus]

Melodic interval of entry: 5+8-5-5+1+5-

Time interval of entry: B2/1/1/1/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<848> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
I.Tenor
[Bassus]
[Superius]
[Contratenor]
[II.Tenor]
[Bassus]

Melodic interval of entry: 4-4+4-5-4+

Time interval of entry: S3/4/3/4/3

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

<3364> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: The bassus enters as the staggered voice if the superius is regularized and grouped with the contratenor and tenor.

<3356> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1126> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: homorythmie concerne la mesure 1, la deuxième mesure est en contrepoint libre.

<556> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3500> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie None -

Observation

<3366> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: F

<3362> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Tenor]
[Bassus]

<3360> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voices:
[Superius]
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3358> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3354> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3352> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3350> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3348> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3346> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3344> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1154> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Form and process Expand

Form and process

Comment: Contrepoint à 4v.

<1152> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1150> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Form and process Expand

Form and process

Internal repetition: True

Remarks: les deux mesures du début de la section sont répétées

<1148> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: HR SAB mesure 19, mesure 20 HR entre TB, et HR entre SA

<1146> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1144> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1142> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1138> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Melodic interval of entry: 5-4-8-

Time interval of entry: M5/2/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1136> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: F

<754> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Contratenor]
[Bassus]

<752> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Superius]
[Tenor]

<750> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<748> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Contratenor]

Type: authentic

Tone: C

Dovetail interval: 1+

Remarks: Inverted, evaded. Superius, tenor, and bassus all dovetail by articulating the next line of text at the point where the cadence is expected to end.

<746> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<744> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Contratenor]
[Bassus]

Remarks: Can only be understood as a CD in light of Marle's borrowing.