CRIM

Citations: The Renaissance Imitation Mass Project

Observation <198>

Observer: Max Le Mée

<R99> Mechanical transformation, Non-mechanical transformation — Derivative of <197> Vidi speciosam

Soggetto, Counter-soggetto, Fuga

Voice:
I.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
I.Tenor
[Contratenor]
[Superius]
[Bassus]
[II.Tenor]

Melodic interval of entry: 5+4+8-4+

Time interval of entry: S1/1/1/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The counter-soggetto is used to make a figuralism on 'descendit de'. It is anticipated at the bassus on 'Qui proper nos". As this diatonic descent is also the end of soggetto, it can be considered as anticipated by the soggetto ('Qui propter nos homines, et proper nostram').