CRIM

Citations: The Renaissance Imitation Mass Project

Observation <198>

Observer: Max Le Mée

<R97> Non-mechanical transformation — Derivative of <197> Vidi speciosam

Fuga

Voices:
[Bassus]
I. Tenor
[Superius]
[II. Tenor]
[Bassus]
[Superius]
[II. Tenor]
I. Tenor
[Contratenor]
[Bassus]

Melodic interval of entry: 4+5+8-8-5+8-1+4+4-

Time interval of entry: M6/8/6/11/5/5/4/4/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The first entries are melodically reduced. The opening 5th/4th jump is replaced by a fall of 4th/5th that directly leads to the original third note of the soggetto.