CRIM

Citations: The Renaissance Imitation Mass Project

Observation <177>

Observer: Max Le Mée

<R89> Quotation — Model for <178> Missa Vidi speciosam: Kyrie

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
SecundusTenor
PrimusTenor
Superius
Bassus
Contratenor
PrimusTenor
SecundusTenor
Bassus
Contratenor
SecundusTenor

Melodic interval of entry: 1+8+5-8+8-4+8-8+1+

Time interval of entry: M2/2/3/4/5/2/3/5/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
SecundusTenor
Bassus
Superius
Contratenor

Melodic interval of entry: 1+5-8+

Time interval of entry: M4/3/4

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Cantizans: Superius

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Dovetail voice: Superius

Remarks: The last soggetto of the model, leading do the final CAD. It starts with an ID, which is quite 'flexed', but I am so happy to find something else than a fuga... As the first voice of the second duo starts before the second voice of the first duo, the time intervals and intervals of entries will correspond to this order: TenorII, Superius, Bassus, Contra.