CRIM

Citations: The Renaissance Imitation Mass Project

Observation <165>

Observer: Max Le Mée

<R83> Mechanical transformation — Model for <166> Missa Vidi speciosam: Kyrie

Imitative duo

Voices:
Superius
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/7/4

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: In the second duo, the first entry has been anticipated, so that the counterpoint is the one of an ID, even though the time interval of entries is not 'regular'. The Primis Tenor enters in imitation, turning the ID into a Fg.